Scripts

Choose from 32 different scripts

Click on the links below for a full synopsis and cast list of each script.

Script Ordering Suggestions

1. THEMES

All our scripts work very well at the Christmas season. Several work well also at other times of the year. The letter “R” after the number indicates a revision of the original script.

These scripts are the easiest to rehearse and perform:

1478-R – A KNIGHT TO REMEMBER
1481-R – A LITTLE KNIGHT-SHTICK
1482-R – TO PLAY OR REPLAY
1484-R – RAPUNZEL, RAPUNZEL, LET DOWN YOUR HEIR
1493B-R – “LITTLE” FOOLS FALL IN LOVE

These scripts work well at times other than Christmas, but may certainly be used at Christmas:

1480-R – WHAT DEAD CARRIER CHICKEN?
1482-R – TO PLAY OR REPLAY
1483-R – THE SAGA OF MORDRICK THE FOUL
1484-R – RAPUNZEL, RAPUNZEL, LET DOWN YOUR HEIR
1485-R – MAY THE FARCE BE WITH THEE
1488-R – THE MIDWINTER’S DREAM KNIGHT
1489-R – THE CHANGING OF THE GUARD
1490-R – NOAH AND JOAN OF ARK
1491-R – DANCES WITH WINDMILLS
1492-R – M. PEROR’S GNU CLOSE
1494-R – MERTONSIRE, LORD OF MISRULE
1495-R – THE PEASANT, THE PRINCE, THE BOOT AND THE MIRROR
1496-R – HANDEL & GRETZKY
1497-R – THESE FOOLISH KINGS REMIND ME OF…
1500 – SLEEPLESS IN THE CASTLE
1501 – THE SORRY TELLERS
1502 – WHO’S BEHIND THE SHRUB?
1503 – ARNOLD THE FALCONER, PART 2.1.03
1505 – A FIERY FABLE
1506 – THE MOON KING DECIDES
1507 – MERTONSIRE AND THE PIRATE’S TALE
1510 – THE TRUTH FAIRY
1513 – MURDER MOST FOWL

These scripts have love themes:

1486-R – ARNOLD THE FALCONER
1487-R – THE ROYAL WEDDING
1493-R – FOOLS FALL IN LOVE
1493B-R – “LITTLE” FOOLS FALL IN LOVE
1498-R – JESTER “THE BODY” VENTURES FORTH
1499-R – THE KING OF HEARTS
1504 – EINE KLEINE KNIGHT-SHTICK

This script is strange, but really funny. However, it is not Biblical.

1490-R – NOAH AND JOAN OF ARK

2. CHARACTERS, RHYMING, RELATIVE LENGTH

The number of speaking parts and minor roles, (in addition to the Royal Court, in which sit the King and Queen), audience involvement, rhyming, and the relative length of the scripts.

1478 -R A KNIGHT TO REMEMBER
Easiest to perform. Two main characters: one male, one either male or female. Three minor characters: one male, two either male or female.
No audience involvement. Mostly rhymed. 24 pages.
1480-R WHAT DEAD CARRIER CHICKEN?
Four main characters: two female, one male, one either male or female, Three minor roles: one female, one male, one either female or male. Much audience involvement. Mostly rhymed. 24 pages.
1481-R A LITTLE KNIGHT SHTICK or RIGHT THE WRONG AND WRONG THE RIGHT
One main character: male, Four large, but not quite as large as the main character: one female, two male, four either male or female. No audience involvement. Some rhyme, 24 pages.
1482-R TO PLAY OR REPLAY
Four main characters: Four either male or female. Three minor characters: Three either female or male. Much audience involvement. Some rhyme. 24 pages.
1483-R THE SAGA OF MORDRICK THE FOUL
Five main characters: One female, three male, one either male or female. Four minor characters: Three female, one male, one either female or male. Some crucial audience involvement. Some rhyme. 29 pages.
1484-R RAPUNZEL, RAPUNZEL, LET DOWN YOUR HEIR
Seven main characters: two female, two male, three either female or male Six minor roles: one female, two male, two either male or female. Much audience involvement. Some rhyme. 26 pages.
1485-R MAY THE FARCE BE WITH THEE
Six main characters: Four male, two either female or male. Six minor characters. One dragon. Much audience involvement. Some rhyme. 22 pages.
1486-R ARNOLD THE FALCONER: PART ONE
Five main characters: Two female, two male, one either female or male. Much audience involvement. Some rhyme. 27 pages.
1487-R THE ROYAL WEDDING
Nine characters: three female, three male, three either female or male. Some audience involvement. Some rhyme. 29 pages
1488-R THE MIDWINTER’S DREAM KNIGHT
Seven characters: one female, two male, four, either female or male, unicorn. Some audience involvement. Much rhyme. 32 pages.
1489-R THE CHANGING OF THE GUARD
Six main characters: two female, one male, three either female or male. Four minor characters: One male, three either female or male. Audience involvement. Some rhyme. 34 pages.
1490-R NOAH AND JOAN OF ARK
Four main characters: one female, one male, two either female or male. seven supporting characters: two female, one male, four either female or male. Some rhyme. 30 pages.
1491-R DANCES WITH WINDMILLS
Six main characters: one female, two male, four either male or female. Two minor roles: female or male. Some audience involvement. Some rhyme. 34 pages.
1492-R M. PEROR’S GNU CLOSE
Six main characters: two female, two male, two either female or male. Much audience involvement. Some rhyme. 30 pages.
1493-R FOOLS FALL IN LOVE
Six main characters: three female, one male, two either female or male. No audience involvement. Some rhyme. 30 pages.
1493B-R LITTLE FOOLS FALL IN LOVE
Six main characters: Three female, one male, two either female or male. No audience involvement. Some rhymed. 32 pages.
1494-R MERTONSIRE, LORD OF MISRULE
Six main characters: one female, three male, one either female or male. Three minor roles: one female, two male, may be played three of the main characters. Some audience involvement. Some rhyme. 32 pages
1495-R THE PEASANT, THE PRINCE, THE BOOT, AND THE MIRROR
Eight main characters: three female, two male, three either female or male. Eight minor roles: two female, two male, four either female or male. Some audience involvement. Some Rhyme. 33 pages.
1496-R HANDEL & GRETZKY
Five main characters: One female, one male, three either female or male. Two minor roles, either female or male. Little audience involvement. Some rhyme. 37 pages.
1497-R THESE FOOLISH KINGS REMIND ME OF . . .
Seven main characters: All main characters can be played by either a female or male. Minor roles: Four characters can be played by either a female or male. Some audience involvement. Some rhyme. 45 pages.
1498-R JESTER “THE BODY” VENTURES FORTH
Seven main characters: Two female, two male, Three either female or male. Much audience involvement. Some rhyme. 35 pages.
1499-R THE KING OF HEARTS
Six main characters: two female, two male, two either male or female. Some audience involvement. Some rhyme. 41 pages.
1500 SLEEPLESS IN THE CASTLE
Seven main characters: one female, three male, three either female or male. Some audience involvement. Much rhyme. 33 pages.
1501 THE SORRY TELLERS
Seven main characters: two female, three male, two either male or female. Two minor roles, either female or male. Some audience involvement. Some rhyme. 39 pages.
1502 WHO’S BEHIND THE SHRUB?
Six main characters: Two male, Four either male or female. Two minor roles : either male or female. Much audience involvement. Some rhyme. 38 pages.
1503 ARNOLD THE FALCONER: PART 2.1.03
Four main characters: two male, two either male or female. Nine minor roles: One female, seven either male or female. Audience involved only in applause. Some rhyme. 43 pages.
1504 EINE KLEINE KNIGHT SHTICK
Four main characters: One female, one male, two either male or female. Ten minor roles: Five male, two female, three either male or female. Audience involved only in applause. Much rhyme. 35 pages.
1505 A FIERY FABLE
Four main characters: two male, two either male or female. Six minor roles: either male or female. Four audience members. Some rhyme. 37 pages.
1506 THE MOON KING DECIDES
Seven main characters: one female, three male, Three either female or male. Three minor roles: either female or male. Audience involved only in applause. Some rhyme. 33 pages.
1507 MERTONSIRE AND THE PIRATE’S TALE
Six main characters: One male, Five either male or female. Three minor roles: one male, two either male or female. One audience member. Some rhyme. 40 pages.
1510 THE TRUTH FAIRY
Five main characters. Two male, Two either male or female, one female. Two minor roles played by either male or female, one audience member in a minor role. Some audience involvement. Some rhyme where appropriate. 35 pages.
1513 MURDER MOST FOWL
Seven characters, some with minor roles. Most may be played by either males or females. Four audience members read one sentence each. There is moderate audience involvement, especially at the end. This Dinner is mostly rhymed throughout and very clever. 35 pages.

3. AUDIENCE INVOLVEMENT

Many of you are interested in the involvement of the audience in the scripts. The following are the scripts with audience involvement other than applause.

Much Audience Involvement:

1480-R WHAT DEAD CARRIER CHICKEN?
1482-R TO PLAY OR REPLAY
1484-R RAPUNZEL, RAPUNZEL, LET DOWN YOUR HEIR
1485-R MAY THE FARCE BE WITH THEE
1486–R ARNOLD THE FALCONER: PART ONE
1492-R M. PEROR’S GNU CLOSE
1498-R JESTER “THE BODY” VENTURES FORTH
1502 WHO’S BEHIND THE SHRUB?

Some Audience Involvement:

1483-R THE SAGA OF MORDRICK THE FOUL
1487-R THE ROYAL WEDDING
1488-R THE MIDWINTER’S DREAM KNIGHT
1489-R THE CHANGING OF THE GUARD
1494-R MERTONSIRE, LORD OF MISRULE
1491-R DANCES WITH WINDMILLS
1495-R THE PEASANT, THE PRINCE, THE BOOT, AND THE MIRROR
1497-R THESE FOOLISH KINGS REMIND ME OF . . .
1499-R THE KING OF HEARTS
1500 SLEEPLESS IN THE CASTLE
1501 THE SORRY TELLERS
1510 THE TRUTH FAIRY
1513 MURDER MOST FOWL